Church of St. Nicholas the Wonderworker Galeiskaya description and photos - Russia - Golden Ring: Vladimir (Topic)

Church of St. Nicholas the Wonderworker Galeiskaya description and photos - Russia - Golden Ring: Vladimir. Detailed information about the attraction. Description, photos and a map showing the nearest significant objects.

Photo and description

The Church of St. Nicholas the Wonderworker Galeiskaya was built in 1735. It is located in Vladimir on Nikolo-Galeiskaya street. In ancient times, this place was a wooden temple mentioned in the chronicles of the 12th century. According to N.I. Voronin, on the place where this church once stood there was a pier. The wooden church of St. Nicholas the Wonderworker behind the talus in Galea is also mentioned in the patriarchal books of 1628.

In 1732, on the site of the wooden church, at the expense of Ivan Grigoriev Pavlygin, a wealthy townsman, a coachman, they began to build a new stone church, which is already in 1738 it was consecrated. In the same year, a warm side-chapel was added to the church in honor of Saints Gregory the Theologian, Basil the Great, John Chrysostom. In 1880, the church was renovated, arranged buttresses and laid underground walls under the foundation of the bell tower.

The Nikolo-Galeiskaya church is located in the old southern part of the city of Vladimir, behind urban buildings dating back to the late 19th - early 20th centuries, among wooden houses. There is practically no free space from the south and west of the church, so there is almost no panoramic view of the temple from these sides.

The church looks much better from the north-east, where the street on which the church is located goes down steeply ... The best point for viewing it is the floodplain of the Klyazma River.

Today the Nikolskaya Church consists of an old building, an aisle adjoins its southern side, and a three-tiered high hipped bell tower to the west. The old building includes an altar apse, the main volume and a refectory with a narthex, to which the tent is attached. In the spatial-volumetric composition of the temple, a strictly proportional ratio of different volumes is emphasized. In the overall composition, the main volume stands out, since the altar apse and the refectory are significantly understated in relation to it, and the three-tiered bell tower. The overall composition of the temple emphasizes its tiered level, each volume has its own shape and height. The main volume of the building is a three-height high quadrangle on an octagon, which has a covering of eight slopes and ends with an octagonal three-tier drum with a bulbous head.

In terms of the main volume is a square, with a one-part powerful altar apse adjoining it from the east , which occupies almost the entire width of the quad. The altar is semicircular in plan, covered with a conch. The apse room is high and spacious. The transition to the octagon from the quadruple is carried out due to two-stage tromps. The vault of the main volume is closed, octahedral. The altar apse is connected to the main volume by an arch, and the refectory - by three arches, while the central middle arch is higher and wider than the two lateral ones. Now the arched openings have been laid. The refectory is covered with a closed four-slot vault with trays that run from the arches. Above the central arch, which connects the refectory and the main volume of the temple, there is a stripping, corresponding to the stripping on the other wall, above the arch that connects the refectory and the vestibule. The windows of the octagon, the quadrangle and the main volume will be filled with wooden shields.

The overall solution of the decoration of the temple is distinguished by expressive plastic, in which echoes of the 17th century pattern are observed. The window frames of the main volume of the temple end with a three-center arch. On the upper tiers of the drum, there is a row of etched tiles.

The arches of the first bell tier are shifted to the east. The curb, which goes at the base of the ringing, together with the cornice curb create a harmonious symmetry.

The spatial compositional solution of the temple, the general pattern of its decor bring the temple closer to typical examples of Suzdal architecture of this period, namely, the Church of the Beheading of John Forerunners. The temple was built on red brick mortar.

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Topic: Church of St. Nicholas the Wonderworker Galeiskaya description and photos - Russia - Golden Ring: Vladimir.